Valspar Composites
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Mold Making:

Preparing the Plug for a Mold

Page 10 of 17
 

When the plug is finished and approved, it must be prepared so that the mold will release from the surface of the plug. Many release agents, compounds and procedures in today's market work well in the fiberglass industry. Therefore, this document will suggest a method of selecting the system itself. Due to the complexity of specialized release agents used with a wide variety of techniques when addressing plugs that are comprised of sophisticated materials, we will focus on plugs that have been surfaced with polyester-type materials or with materials that are compatible with polyesters.

The four basics of preparation are:

    1. Sanding
    2. Compounding
    3. Sealer Glaze
    4. Waxing / Release Agent

1. Sand the surface with the finest grit of sandpaper possible. The larger the number on the sandpaper the finer the grit.

Example:
(a) 1200 Super fine grit
(b) 600 Finer grit
(c) 400 Fine grit (d) 320 Medium grit
(e) 220 Medium grit(f) 180 Course grit
(g) 80 Rough grit

These number ratings are generally printed on the backside of the sandpaper.

The two types of sandpaper are wet and dry and dry open grit. When sanding is required on a wood plug, use dry, open grit sandpaper in order to eliminate the possibility of swelling any exposed wood areas with water. If the plug is totally encapsulated, wet sanding is possible. In fact, it is better, since it will cut faster and limit the amount of work required. Always block sand with a flat sanding block, unless the design of the plug does not allow you to do so.

Sand with 400 grit, follow that with 600 grit then finish with 1200 grit. Next, sand the 400 in one direction, then the 600 in the opposite direction, followed with the 1200 in the same direction as the 400. This would sand the coating down in a uniform manner and end with all scratches left by the 1200 grit going in one direction. The straight scratches would then be removed by the circular motion of the buffing pad that would cross over the scratches left by the 1200 sandpaper.

2. Compounding with materials made by the same manufacturer seems to be one of the most overlooked procedures when selecting a compound. There are thousands of buffing compounds on the market today. Some are formulated exclusively for paints, metals, plastics or polyesters. Using products made by the same manufacturer guarantees that when heavy-duty compounds and lighter grit compounds are used they will be compatible in chemistry and will not have an adverse reaction with each other.

Most buffing pads are 7-inch, curved-edge 100% wool material. Synthetic materials can leave a residue that can cause a breakdown of the waxes to be applied later. Buffing pads should not be laundered with industrial soaps. These can contaminate the surface, leaving a residue that is released on the unit when the pad becomes warm during the buffing process. In buffing, the pad is placed on the curved edge of the pad and pressure is applied to the compound via the pad. Polishing the streaks left by the buffing action is accomplished by laying the pad flat and applying very little pressure. During this process, keep the buffing pad clean and free of grit while moving the buffer briskly over the surface.

After the buffing process has been completed with heavy duty compounds, regular compounds and fine-finish compounds, the entire area that was compounded should be wiped clean with warm clear water and dried. This will remove any existing compounds and will prepare the surface for the sealer glaze.

3. Sealer Glaze seals the microscopic pores (not porosity) in the surface of the gel coat, (which were opened by sanding) and leaves a glaze on the surface in preparation for the wax. Sealer Glaze should be applied with a machine buffe, using the polishing technique of laying the pad flat and applying little pressure. Always use a clean pad that has not previously been used for buffing compounds. This will prevent the possibility of applying compound back to the surface that you had previously washed with clean, warm water. Again, for chemical compatibility, the sealer glaze material should be from the same manufacturer as the buffing compounds.

4. Waxing the plug accurately and with an adequate amount of wax will assure the releasing of the plug from the mold. Failure in this procedure can result in the entire loss of both the plug and mold.

The following procedures for waxing are considered basic guidelines:

a. Start the waxing in one specific area and stop at the same area. This should guarantee coverage of every inch of the plug's surface. When you start and stop in different places, you can forget where you have been with the wax.

b. Make small circular motions when applying wax. Let them overlap each other, being cautious not to apply heavy concentrations. Heavy concentrations of wax will not release the solvent and will smear when you try to remove the wax.

c. Allow the wax to become hazy, but not completely dry before wiping the wax from the mold. If you apply wax, remove it and apply a layer immediately on top of this green, non-cured layer, you accomplish nothing. After you remove a layer of wax, allow time for the solvents in the wax to be released. Usually 30 to 60 minutes is adequate.

d. For wiping materials, use a lint-free, undyed, uncontaminated, clean material.

If you use this A-B-C-D-system of wiping off waxes, you should end up with a clean piece of wiping material when you have finished.

Depending on the size of the plug, start with the number one rag in one hand and the number two in the other. With the same circular motions used when applying the wax, wipe the wax off.

Use the number three and number four rags in the same manner. After the wax has dried for several minutes, wipe the entire unit one more time with a clean rag.

Allow each layer to cure for 30-60 minutes prior to the next layer.

4. Every builder has his own theory concerning how much wax is enough. If it's not broke, don't fix it! If you have problems, usually 7 coats spread over a 2-day period seems to work well.

Thus far, we have built a sound foundation, formed our shape to dimensions, made radii and design lines using drags, sealed the under side, applied a primer, sanded, applied a mirror finish, sanded lightly, buffed, seal-glazed and waxed the plug. We are now ready to build a mold, or the reverse image of the plug. Remember: Any flaw in the plug, regardless of how minor it may seem, will transfer to the mold surface. Prior to making a mold the plug must be perfect!!

 

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